91 products were found matching your search for Public Screen in 7 shops:

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This winter bubble tent measures measures 15'x15'x8.5'H and comes with a compact carry bag. Weight: 48 lbs. An automatic pop-up, no assembly needed igloo tent perfect for setting boundaries between you and others out in public or in the privacy of your own space. Simply pop-up, secure, and enjoy the personal space to the fullest. Provide a spacious interior shelter that comfortably fits between two and three adults. Enough room to place various pieces of furniture so you can give your bubble tent a homely feeling.

This winter bubble tent measures measures 6'x6'x7'H and comes with a compact carry bag. Weight: 16.5 lbs. An automatic pop-up, no assembly needed igloo tent perfect for setting boundaries between you and others out in public or in the privacy of your own space. Simply pop-up, secure, and enjoy the personal space to the fullest. Provide a spacious interior shelter that comfortably fits between two and three adults. Enough room to place various pieces of furniture so you can give your bubble tent a homely feeling.

Do you want to have a private space of your own in your home. This room divider can play a very good role in dividing the area. This 4-panel room partition can perfectly divide the public area, providing private space and protecting privacy. You can enjoy yourself time in the independent space and relax yourself. Each screen panel can be used individually or combined together with 360° connect buckles. You can use the room divider as you like. The room divider screen is made of high-quality metal frame and wear-resistant fabric, stable and durable for long term use. When not in use, the room divider can be folded up for easy storage to save space. As an ideal partition solution, it is very suitable for living room, dining room, restaurant or office. Color: Black.

Do you want to have a private space of your own in your home. This room divider can play a very good role in dividing the area. This 4-panel room partition can perfectly divide the public area, providing private space and protecting privacy. You can enjoy yourself time in the independent space and relax yourself. Each screen panel can be used individually or combined together with 360° connect buckles. You can use the room divider as you like. The room divider screen is made of high-quality metal frame and wear-resistant fabric, stable and durable for long term use. When not in use, the room divider can be folded up for easy storage to save space. As an ideal partition solution, it is very suitable for living room, dining room, restaurant or office. Color: Grey.

Do you want to have a private space of your own in your home. This room divider can play a very good role in dividing the area. This 4-panel room partition can perfectly divide the public area, providing private space and protecting privacy. You can enjoy yourself time in the independent space and relax yourself. Each screen panel can be used individually or combined together with 360° connect buckles. You can use the room divider as you like. The room divider screen is made of high-quality metal frame and wear-resistant fabric, stable and durable for long term use. When not in use, the room divider can be folded up for easy storage to save space. As an ideal partition solution, it is very suitable for living room, dining room, restaurant or office. Color: Brown.

MI-2244T features an anti-theft design making it great for public spaces. Protect your investment and place a padlock on the mounting bar to keep your TV safe and secure in any environment. Tilt your TV up or down for a better view from anywhere in the room. This helps to reduce glare and creates a more comfortable way to watch if your TV is mounted higher on the wall. Color: black. Material: Metal.

Gold Touch Privacy Filter keeps confidential information private when working in public places. It is great for high-traffic areas such as airports, coffee shops and other public places. You see your laptop screen with incredibly crisp image clarity while visual hackers with side views outside the 60-degree viewing angle see a vivid golden shield. Ultra-thin, ultra-responsive design provides consistent touch responsiveness. Proprietary gold effect provides premium privacy with a glossy finish. Filter reduces 35 percent of blue light transmission from the display. It is reversible between vibrant gold and a glossy black screen. Filter is designed to fit full-screen laptops with a diagonally measured, 15.6" viewing screen and a 16:9 aspect ratio. Actual filter dimensions are 13-7/8" wide x 7-15/16" high (353mm x 202mm). It includes strips for each attachment. Lightweight, thin, frameless filter protects display from dirt, debris and scratches.

Gold Privacy Filter keeps confidential information private when working in public places on your Apple MacBook Pro 13" (2016 or newer models). It is great for high-traffic areas. You see clearly while people on outside the 60-degree viewing angle see a vivid golden screen. Privacy filter reduces 35 percent of blue light transmission from the display. It includes strips for easy attachment. Gold Privacy Filters offer the highest level of clarity within 3M's line of privacy filters. Reversible, privacy filter can be used with either vibrant gold or glossy black side facing you. Lightweight, ultra-thin, frameless design protects display from dirt, debris and scratches. It is easy to clean. Filter measures 13.3" diagonally and 11-3/4" wide x 7-5/8" high (298mm x 194mm). Aspect ratio is 16:10.

Gold Privacy Filter keeps confidential information private when working in public places on your Apple MacBook Pro 15" (2016 or newer models). It is great for high-traffic areas. You see clearly while people on outside the 60-degree viewing angle see a vivid golden screen. Privacy filter reduces 35 percent of blue light transmission from the display. It includes strips for easy attachment. Gold Privacy Filters offer the highest level of clarity within 3M's line of privacy filters. Reversible, privacy filter can be used with either vibrant gold or glossy black side facing you. Lightweight, ultra-thin, frameless design protects display from dirt, debris and scratches. It is easy to clean. Filter measures 15.4" diagonally and 13-1/2" wide x 8-3/4" high (343mm x 222mm). Aspect ratio is 16:10.

Gold Touch Privacy Filter keeps confidential information private when working in public places. It is great for high-traffic areas such as airports, coffee shops and other public places. You see your laptop screen with incredibly crisp image clarity while visual hackers with side views outside the 60-degree viewing angle see a vivid golden shield. Ultra-thin, ultra-responsive design provides consistent touch responsiveness. Proprietary gold effect provides premium privacy with a glossy finish. Filter reduces 35 percent of blue light transmission from the display. It is reversible between vibrant gold and a glossy black screen. Filter is designed to fit full-screen laptops with a diagonally measured, 13.3" viewing screen and a 16:9 aspect ratio. Actual filter dimensions are 11-7/8" wide x 6-13/16" high (302mm x 174mm). It includes strips for each attachment. Lightweight, thin, frameless filter protects your display from dirt, debris and scratches.

Gold Touch Privacy Filter keeps confidential information private when working in public places. It is great for high-traffic areas such as airports, coffee shops and other public places. You see your laptop screen with incredibly crisp image clarity while visual hackers with side views outside the 60-degree viewing angle see a vivid golden shield. Ultra-thin, ultra-responsive design provides consistent touch responsiveness. Proprietary gold effect provides premium privacy with a glossy finish. Filter reduces 35 percent of blue light transmission from the display. It is reversible between vibrant gold and a glossy black screen. Filter is designed to fit laptops with a diagonally measured, 14" full screen and a 16:9 aspect ratio. Actual filter dimensions are 12-1/2" wide x 6-7/8" high (318mm x 175mm). It includes strips for each attachment. Lightweight, thin, frameless filter protects your display from dirt, debris and scratches.

Across America today gated communities sprawl out from urban centers, employers enforce mandatory drug testing, and schools screen students with metal detectors. Social problems ranging from welfare dependency to educational inequality have been reconceptualized as crimes, with an attendant focus on assigning fault and imposing consequences. Even before the recent terrorist attacks, non-citizen residents had become subject to an increasingly harsh regime of detention and deportation, and prospective employees subjected to background checks. How and when did our everyday world become dominated by fear, every citizen treated as a potential criminal?In this startlingly original work, Jonathan Simon traces this pattern back to the collapse of the New Deal approach to governing during the 1960s when declining confidence in expert-guided government policies sent political leaders searching for new models of governance. The War on Crime offered a ready solution to their problem: politicians set agendas by drawing analogies to crime and redefined the ideal citizen as a crime victim, one whose vulnerabilities opened the door to overweening government intervention. By the 1980s, this transformation of the core powers of government had spilled over into the institutions that govern daily life. Soon our schools, our families, our workplaces, and our residential communities were being governed through crime.This powerful work concludes with a call for passive citizens to become engaged partners in the management of risk and the treatment of social ills. Only by coming together to produce security, can we free ourselves from a logic of domination by others, and from the fear that currently rules our everyday life.

An examination of architecture and art as a screen of vital cultural memory that considers museum culture, visual technology, and the border of public and private space.In this thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space―a screen of vital cultural memory―has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"―and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca―Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.

An examination of architecture and art as a screen of vital cultural memory that considers museum culture, visual technology, and the border of public and private space.In this thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space―a screen of vital cultural memory―has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"―and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca―Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.

For most of the past 90 years, Hollywood has used the Navy to freely obtain personnel, equipment, and locations for movies filled with adventure, romance, and drama, while the Navy gained a public image that boosted its recruiting efforts and its relations with Congress. Although the Vietnam War dis

While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders.In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.

Tracing the origins and evolution of films with gay and lesbian characters and themes from the 1930s to their present proliferation, The Lavender Screen offers a startling review of more than 100 films, evaluating not only themes, but the director's attitudes and public and critical commentary as well.

Hedy Lamarr's life was punctuated by salacious rumors and public scandal, but it was her stunning looks and classic Hollywood glamour that continuously captivated audiences. Born Hedwig Kiesler, she escaped an unhappy marriage with arms dealer Fritz Mandl in Austria to try her luck in Hollywood, where her striking appearance made her a screen legend. Her notorious nude role in the erotic Czech film Ecstasy (1933), as well as her work with Cecil B. DeMille (Samson and Delilah, 1949), Walter Wanger (Algiers, 1938), and studio executive Louis B. Mayer catapulted her alluring and provocative reputation as a high-profile sex symbol.In Hedy Lamarr: The Most Beautiful Woman in Film, Ruth Barton explores the many facets of the screen legend, including her life as an inventor. Working with avant-garde composer and film scorer George Antheil, Lamarr helped to develop and patent spread spectrum technology, which is still used in mobile phone communication. However, despite her screen persona and scientific success, Lamarr's personal life caused quite a scandal. A string of failed marriages, a lawsuit against her publisher regarding her sensational autobiography, and shoplifting charges made her infamous beyond her celebrity.Drawing on extensive research into both the recorded truths of Lamarr's life and the rumors that made her notorious, Barton recognizes Lamarr's contributions to both film and technology while revealing the controversial and conflicted woman underneath. Hedy Lamarr: The Most Beautiful Woman in Film illuminates the life of a classic Hollywood icon.

Shows how to use evergreens, fruit trees, and other plants to create borders, screen off areas from public view, save energy, and provide beauty, and tells how to select the right plant for each purpose